WORKS

Yesterday’s Landscape Is No More (2020)

On February 22, 2020 I installed a light sensor on my balcony and started collecting data in order to sample the light curve over a full year. The idea is to collect one text file per day containing the brightness information and transcribe this data in the form of audio files. Sunrise and sunset happen […]

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Il faut tuer le cinéma – Part I (in progress)

Il faut tuer le cinéma – Part I is an interdisciplinary project somewhere between music theater, robotic art and physical theater. It has something to say about screens, screens that lie, screens that move on stage, scenes like windows on the world and on others.

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Ebe (2018)

Èbe is the result of collaboration between Sarah Bronsard (choreographer) and Patrick Saint-Denis (sound and robotic art). The piece revolves around a choir of robot-accordions and flamenco.

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Subjective cartographies (2013…)

Subjective cartographies is a series of projects dwelling around landscape sonification.

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JU (2015-2019)

A collection of generative music written in SuperCollider.

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Howl (2017)

I wanted to put this aspect forward by augmenting the FlyingCan with a positioning sensor in order to trigger sounds and control lights located on the floor.

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Vertex (2013-2016)

Vertex is an audio-robotic performance created in 2013-2016 in collaboration with Jean Piché. The project is based on an electromechanical device consisting of a 16 robotic loudspeaker array based on the principle of the Leslie speaker.

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You Mean It’s Just Sounds? (2016)

Through custom software, my gestures are transposed to sound in a choreography that stands somewhere between the theremin and the air guitar.

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Sway Array (2013-2015)

Sway Array is an audio-robotic performance that is rooted in an interest for physical movement and its interaction with sound.

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Lungta (2012-2015)

LUNGTA is a series of projects (audio performance, installation, dance) that dwells around a physical matrix of 192 motor-driven fans activating sheets of common stationary paper along a two-dimensional grid.

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Saturated. The Rest. (2016)

What happens when you lock four improvisers in a black box with their instruments, microphones, cameras, projectors, curtains, and computers?

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Signum (2018)

SIGNUM is an electroacoustic improvisation group, a collective of Canadian-Mexican artists in audio art whose interests are centered around digital music and performance technologies.

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Data novembre (2013)

Data was collected between the 15th and 30th November, 2012 using a weather station installed on a balcony on Saint-André Street in Montreal to generate writing material.

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Trombe (2010)

flute, camera, computer, video, audio, robotics.

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Dynamique du souvenir (2008)

Chamber orchestra and super 8 video

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Zone confortable (2005)

Quintet (fl, cl, vlc, vlc, piano)

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Chronique (2003)

Quintet (fl, cl, vlc, vlc, piano)

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